The stark beauty of Yorkshire’s upland moors is the main focus of a new exhibition of work by Leeds-based artist, Judith Levin at The Bingley Gallery. These are scenes where you might expect the Bronte sisters, or less romantically perhaps, a trio of Last of The Summer Wine characters to make their appearance. However, the paintings remain uninhabited landscapes where you can imagine the song of the skylark or perhaps, as one visitor commented, the sensation of cold water seeping into your boots.
We have, of course come to realise that such landscapes are not only beautiful, but an important part of our ecosystem. They support a diverse range of plants and animals, and the thick layers of peat provide a far greater carbon capture facility than any woodland. Moorland provides much of our drinking water but retains heavy rain to delay the run-off that leads to flooding in the valleys. It also provides much-enjoyed leisure space for locals and visitors alike. It is not a landscape that can be taken for granted. In recent years we have learned of the moors vulnerability to fire and the debate over the management of much of the land for shooting continues.
The artist, Judith Levin has for many years specialised in capturing this environment on canvas. She admits that for the past 24 months, she has lived a primarily solitary life, focusing her energy on painting variations of the upland moors she loves. The resulting exhibition captures the beauty of the natural landscape of the region, especially when the moors are full of purple heather; the changing light, the distant mists, surprise brooks and waterfalls and the sensation of walking through cloud. Her medium is traditional oil on canvas, painting on a wide range of scales from miniature you can put on the mantlepiece to canvass that require large walls. As well as moorland landscapes but there are a few still lifes in the same colour palette, orchids, peonies and wild heather.
Whilst Judith’s internationally acclaimed oil paintings are the main feature of the show, her work is supported by other artists from the region. These include ‘The Rustic Route’ from nearby Eldwick, which combines the talents of a joiner and electrician who use high voltage electric currents to burn ‘fractal’ patterns into the surface of reclaimed and locally sourced timber which is used to produce striking household items. Two other woodworkers are Gavin Edwards of Baildon who cuts sections of timber, such as that sourced from old pallet wood, and reassembles it into beautifully finished decorative panels that show the beauty that lies hidden within the wood. Mike Bentley whose lifetime experience as a woodturner has taken the art to a rarely seen level of expertise, each piece dictated by the nature if the original sourced offcut.
Ceramics also feature in the show. Kath Bonson of Cullingworth has experimented extensively with glazes to develop a technique that allows both screen printing of moorland wildlife and human activity with heavily reacted surfaces which mimic heathery vegetation. June Hurford, a tutor at Hive Studio, has provided miniature Dales landscape sculptures and a magnificent earthenware capercaillie.
The exhibition is completed by a couple of life-sized plus open wirework sculptures of an owl and a hare by visiting North Yorkshireman Richard Gibson
The show will run at the Bingley gallery from 28 September until 12 November and provides an opportunity to see some remarkable talents applied to Yorkshire’s iconic moorland.
Normal gallery hours are Thurs to Sun 10am to 5pm
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